Signed in as:
filler@godaddy.com
Signed in as:
filler@godaddy.com
I am a scholar and weaver whose work bridges archival research, creative practice, and community memory. As a descendant of families connected to Saint Boniface Indian Industrial School, my work traces the intertwined histories of land, kinship, and survivance in Southern California. My research and creative practice move between story, land, and archive—a method I call archival basketry. Through this practice, I weave together oral histories, family photographs, church records, and material culture to illuminate how Native families endured, adapted, and loved through the colonial institutions that sought to divide them. At the heart of my work is the belief that love is a form of refusal—that remembering our families’ stories, in all their complexity, is itself a healing act.

Publications:
Collective Initiatives:
Creative Practice:
My work is guided by four interwoven principles:
Story. Land. Love. Refusal.
Together, they form the foundation of my scholarship and the rhythm of my life’s work—each one a strand in the basket of remembering, each carrying the promise of continuance.
#WovenWithLove is the movement that unites these strands. It expresses how I approach research, writing, teaching, and weaving—as acts of care and connection across generations. To be woven with love is to remember with intention, to honor stories as living knowledge, and to create in ways that sustain rather than extract. Across scholarship, art, and community practice, #WovenWithLove embodies the understanding that love itself is a method—one that binds refusal to healing, memory to land, and story to continuance.